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Though still young, her voice speaks like an old soul with roots attached to many previous centuries. 'Parisa Arsalani’s voice is an unparalleled and distinctive one: sonorous, radiant, dolorous, possessing a kaleidoscope of color-the colors of an exotic land, the amber hues of love lost, and the poetry of dreams both realized and unfulfilled. Alexandra Ivanoff, American music journalist and Hollywood films singer, describes Parisa Arsalani’s singing: Combining her vast knowledge of Mugams (Azeri) and the unique vocalism of her culture, Parisa sings an intriguing repertoire of colorful and exotic songs from Azerbaijan's past, present, and future.Īn extremely versatile singer and a vocal coach with a colorful and powerful voice, Parisa's repertoire ranges from classical Azeri style with folk instruments to modern songs accompanied by piano, as well as jazz and pop and ethnic rock. She continued to do research in advanced vocal techniques, Eastern singing techniques, and voice therapy. The prohibitions and restrictions of singing for a woman in Iran and the lack of musical educational fields in her country caused her to move to Baku, Azerbaijan to study voice at the Baku State Conservatory, where she received her BA, in spite of all the serious problems she was supposed to face. But she felt the need to follow the call of the love of her country's music, but this time, to sing it.

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Later, like all of members of her family who all are professional in artistic fields and cultural attitudes, she graduated with a university degree in graphics and secured a good position as a graphic designer. She won many prizes at national music festivals in Iran.

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Later, like all of members of her family who all are professional in artistic fields and cultural attitudes Read Full Bio Parisa Arsalani was born in Urmia, the capital of West Azerbaijan province in Iran, into a prominent artistic and cultured family.īefore she was a professional singer, she initially learned the traditional Azerbaijanian music of her region and became a nationally recognized soloist of minstrel music and performer on Saz (Ashiq saz). His most famous poem Heydar-Baabaayaa Salaam, in Azerbaijani, is considered to be among the best modern poems in the language and has been turned into a few plays.His most famous Azeri work Heydar Babaya Salam, Published in 1954, won the immense affection of the Turkish world.His day of death is named the 'national day of poem' in Iran.Parisa Arsalani was born in Urmia, the capital of West Azerbaijan province in Iran, into a prominent artistic and cultured family.īefore she was a professional singer, she initially learned the traditional Azerbaijanian music of her region and became a nationally recognized soloist of minstrel music and performer on Saz (Ashiq saz). His poems are mainly influenced by Hafez. He returned to Tehran in 1935 and started working in the Agricultural Bank of Iran.Shahriar published his first book of poems in 1929, with prefaces by Mohammad Taghi Bahar, Saeed Nafisi, and Pezhman Bakhtiari. But he fell in love, left his studies about a year before receiving his M.D.

Wiki wrote:Seyyed Mohammad Hossein Behjat-Tabrizi (Persian: سید محمدحسین بهجت تبریزی)‎ (1906-September 18, 1988), chiefly known by his pen name as Shahriar (or Shahryar / Shahriyar شهریار), was an Iranian poet, writing in Persian and Azerbaijani.Born in Tabriz, Shahriar came to Tehran in 1921 and continued his studies in the Dar-ol-Fonoun high school and started studying medicine after graduation from Dar-ol-Fonoun in 1924.